Thread
as part of my @GAZELL_iO residency, I created WAYS TO MISSPELL OBSIDIAN, a collection of three spoken-word poems that investigates + celebrates the storytelling potential of long-form poetry.
these works form a triptych of shared signification, recursion, imagery + vocabulary🪡
these works form a triptych of shared signification, recursion, imagery + vocabulary🪡
following the passing of a close friend, I wrote JUAN, a eulogy-in-verse.
this text serves as precursor + companion to "Ways to Misspell Obsidian," a lyric essay written years later that braids details of Juan’s death w the story of my son's intoxication w nail polish remover🪡
this text serves as precursor + companion to "Ways to Misspell Obsidian," a lyric essay written years later that braids details of Juan’s death w the story of my son's intoxication w nail polish remover🪡
I culled from the pages of my essay to create ONCE + FATHOMLESS.
together w JUAN, these poems use rhyme, unexpected line breaks + spacing to sketch the shadows of emotion.
bare in their visuals + audio production, these works wager everything on the power + beauty of language🪡
together w JUAN, these poems use rhyme, unexpected line breaks + spacing to sketch the shadows of emotion.
bare in their visuals + audio production, these works wager everything on the power + beauty of language🪡
I'll be launching these three pieces at @GazelliArtHouse on sept 29 with a live reading. if you're in London then, pls join me🤍